Festival Buzz Museum of Fine Arts Boston September 7
The All-time Events, Shows, and Things to Practise in Boston All Fall
From concerts and musicals to drag competitions, live events are back in Boston—and yous're not going to want to miss out.
The Tony-winning musical Hadestown comes to the Boston Opera Firm this November. / Photo past Matthew Murphy
Nourish an art-earth reunion centuries in the making.
Too that empty wall space where a stolen Rembrandt in one case hung, Renaissance painter Titian's The Rape of Europa is the single near famous piece to meet at Boston's Isabella Stewart Gardner Museum. Until now, though, no 1 has viewed it alongside its 5 original companion works, all mid-1500s interpretations of classic myths. The epic reunion anchors a just-launched exhibition, "Titian: Women, Myth & Power," on view through January two.
gardnermuseum.org.
The Rape of Europa is the centerpiece of The Gardner Museum's new Titian exhibit. / © Isabella Stewart Gardner Museum, Boston ("Titian: Women, Myth & Power")
Give a standing O to Get On Your Knees.
In case you can't tell by the blunt title, comedian Jacqueline Novak's one-woman show is indeed an uproarious ode to oral sex. The acclaimed act, a Drama Desk-bound Award nominee, covers the history of the topic—plus plenty of personal anecdotes and observations—with sly intelligence and bawdy sense of humour that'll definitely brand tongues wag when it hits the Boston Center for the Arts from September vii to nineteen.
jokesnovak.com.
Escape to the islands without leaving the city.
No passport is required for visiting Cambridge Carnival, an annual music-, nutrient-, and fun-filled commemoration of Afro-Caribbean area cultures. It kicks off September 12 with a colorfully costumed parade that travels—to the sunny ring-ting-ting rhythm of steel drums—from River Street to University Park. There, festival guests will groove to calypso and more live music, tuck into jerk chicken and other spicy eats, and store eclectic local artisans.
cambridgecarnival.org.
Performer Linda Marie Possa, dressed to the nines and ready for the Boston Drag Gauntlet. / Courtesy photo
Race over to the centre-popping Olympics of elevate.
No, we're not talking most RuPaul'due south Drag Race—nosotros're talking near Boston Elevate Gauntlet, a live, biweekly competition series at Legacy Boston in the Theater District, which will whittle 11 fierce, gender-screwing performers down to a unmarried winner starting September seven. Starting time, though, allow'due south come across 3 of the local contenders.
Harley Queen
3 words that draw my elevate: "Blonde. Run a risk. Clown."
My motto: "If y'all're taking it seriously, yous're doing it wrong."
Elevate is my fine art because: "Through the power of makeup and theatrics, I tin become the cartoon character I wanted to be growing up. It goes to show that you can become anything as long every bit you are creative and ballsy enough to actually practice it."
Linda Marie Possa
My elevate proper noun means: "'Pretty butterfly' in Spanish. Information technology was important to nod to my Latinx heritage, because so much of my drag is inspired by the strong women who raised me in Republic of peru."
My drag is a mix of: "Latina divas from the '90s and 2000s, with a touch of Ariana Grande and a trivial kawaii free energy."
Drag is my fine art because: "It encompasses so much of what I love—singing, performing for a live audience, entertaining, pushing boundaries, and representing my heritage proudly."
Blair Which
My drag inspirations: "Horror movies, campy musicals, and a dash of mental affliction."
The song I could slay in a lip sync: "'Mister Cellophane' from Chicago."
Drag is my art because: "I was a weird theater kid. When I finally dug my nails into drag, it ticked then many boxes that I haven't been able to look dorsum. It's my therapy, my release, my style to limited myself."
instagram.com/bosdraggauntlet.
Nathan Malin and Jennifer Rohn, stars of The Audio Within. / Photo by Nile Scott Studios
Hear the striking prose of The Sound Inside.
This two-person show's super-literary script—almost a middle-aged creative-writing professor dealing with a cancer diagnosis every bit well as an intense, unusually intimate relationship with her student—earned it a 2020 Tony nomination for best play. Experience the unique, novel-like narration for yourselfSeptember 24 through October xvi, when The Audio Within plots its Boston premiere as the opener to SpeakEasy Stage Company's fall season.
speakeasystage.com.
Dedicate an evening to the reopening of Symphony Hall.
Fittingly, Beethoven's Consecration of the Business firm overture volition interruption eighteen months of silence at the city's sacred home to world-class classical music, which swells with strings again starting September thirty. Boston Symphony Orchestra'southward first post-shutdown season is also its debut under the 140-yr-sometime system's first female person president, Gail Samuel, who is poised to deliver the aforementioned fine-arts-world buzz she previously brought to the L.A. Combo.
bso.org.
Patch together a new perspective on American life.
In "Fabric of a Nation: American Quilt Stories," more than than 50 textiles trace centuries of cultural evolutions countrywide, incorporating significant works by immigrant, BIPOC, and LGBTQ+ artists. A huge highlight of the exhibition, running from Oct ten through Jan 17 at Boston's Museum of Fine Arts, is Pictorial Quilt, a rare surviving work by Harriet Powers, considered a colonnade of American folk art for pieces she produced afterward her emancipation from slavery.
mfa.org.
See the Broadway blockbuster that defined the '90s, ane final time.
The 25th anniversary farewell tour of Hire might be your last risk to take hold of the groundbreaking rock musical about bohemian artists—including an angelic elevate queen, a brooding songwriter, and a saucy erotic dancer—striving to survive and navigating love (and HIV) in New York City's gentrifying Due east Village. Many "Seasons of Love" later, the show, in Boston from October 12 to 17, still packs an impactful, uplifting punch.
bochcenter.org.
Scare yourself airheaded with Massachusetts-based tales of terror.
What spooks and spirits lurk in New England'south dark and eerie wood? The big-budget, Boston-filmed Ghostbusters film never quite answered that. We have college hopes, though, for the indie Bay State filmmakers featured in the "Local Mass Hysteria" plan at Salem Horror Fest (October i to eleven), a lineup of frightening flicks pulsing with incisive political subtexts. Amherst director Nick Verdi, for instance, imagines the rampage of a white male serial killer intent on eliminating every other white guy in Massachusetts in Cockazoid. In the cerebral Brain Death, meanwhile, Brighton-based auteurs WL Freeman and John Harrison follow a trans woman every bit she confronts hellish evils in MAGA-land when her girlfriend goes missing. With Seeds, Uxbridge filmmaker Skip Shea, an outspoken survivor of clergy sexual abuse, trades politics for religion with his story of a grieving mother caught between colliding forces of Catholicism and a New England pagan cult. Likewise bringing small local towns to the big screen, Salem Horror Fest will also boast major American premieres of scare-films fabricated across Due north America. Get out time to take in the classics, though, including a retrospective look at legendary director George Romero, famed for inserting scythe-sharp social commentary into famous films similar 1968's apocalyptic Night of the Living Expressionless.
salemhorror.com.
The Boston Book Festival will offer an unabridged calendar week of programming for literature lovers this year.
Pick upward thrilling folio-turners at the Boston Book Festival.
Riveting mystery novels, salacious honey stories, button-pushing political polemics—whatever literary equivalent of a binge-watch you seek, it'll be covered past this annual series of author-led book readings, discussions, and signings, plus Copley and Nubian Square street fairs padded out with family unit-friendly activities such as magic acts and yoga classes. This year's expansion to a weeklong program (October 16 to 23), meanwhile, marks an exciting new chapter for local bookworms.
bostonbookfest.org.
Observe a bright and surprising new star duo.
What happens when 2 very different, equally witty queer entertainers team up for a night of one-act, song, and storytelling? You become Och & Oy! A Considered Cabaret . Together on October 24, the honor-winning phase and screen actor and activist Alan Cumming and silver-throated NPR journalist Ari Shapiro volition elicit every possible audience reaction with their thought-provoking points most social politics, plus ridiculously entertaining personal and professional tales.
celebrityseries.org.
A scene from Hadestown. / Photo by Matthew White potato
Have a hell of a fourth dimension at Hadestown.
The mythic Greek underworld is reimagined as a Depression-era dystopia in Vermont folk-rocker Anaïs Mitchell'south striking musical, which puts a southern Gothic–style twist on the nighttime romance between Orpheus and Eurydice. Descending on the Boston Opera House from November two to xiv with stunning steampunk-inspired set design, Hadestown earned Mitchell Tony and Grammy awards, plus a slot on Fourth dimension mag's list of the 100 Most Influential People in the earth last year.
boston.broadway.com.
Deana Lawson'southward Mama Goma is on display at the ICA beginning in November. / Photo courtesy of the artist, Sikkema Jenkins & Co., New York, and Rhona Hoffman Gallery, Chicago. © Deana Lawson
Take in powerful portraits of gimmicky Black life.
Certain, she shot a fashion spread for Rihanna—mostly, though, Deana Lawson, one of America'south virtually exciting names in photographic art, has earned her acclaim past transforming everyday people and intimate domestic settings into hyperreal tableaux that celebrate African diasporic identities, sexuality, and spirituality. From November four through February 27, Boston's Institute of Contemporary Art volition host the offset-ever museum survey of her work.
icaboston.org.
Performer-playwright Whitney White takes the stage at the Loeb Drama Heart this fall.
Come across a much more than modern Lady Macbeth.
The rousing Macbeth in Stride , a concert-play showcasing original pop, rock, and R & B music, is acclaimed performer-playwright Whitney White'due south first of several works that volition reinterpret the women of Shakespeare. Ahead of the world premiere at Cambridge's Loeb Drama Eye (October 23 through November 14), we caught up with her to talk about giving the Bard's tragic Lady Macbeth a more empowered, Tina Turner–similar makeover.
After a year of virtual performances, how does it feel to be back to live shows?
I just went to a concert with my creative team, and I was breathless. I am bowing downwardly to the power of the live event over again. If you lot caught me three weeks agone, I would accept said, "Multimedia art is the wave of the hereafter." But I experience like in that location'southward something undeniably common cold nigh presenting fine art in a digital medium. I'm so hungry to exercise Macbeth in Stride.
What made you want to inhabit Shakespeare'due south women?
There is a narrative through these stories that if y'all are too ambitious for love or power, you are probably non going to survive to Act Four. Await at Ophelia, Emelia, Juliet, Cleopatra. What's the toll of telling people these stories? That if y'all're a adult female, and you desire too much, you lot're going to finish up in a river, on the end of a sword, or poisoning yourself with a ophidian? What does information technology do?
Y'all've mentioned Tina Turner as ane muse for this piece. Why her?
This is a Black woman who put upwardly with a organization of abuse and pressure for years. Merely she survived. She has this Lady Macbeth moment where she says, "I'yard seizing ability. I'thou seizing my own identity." She fabricated it; she's a survivor. She shattered the narratives nosotros've all been told.
americanrepertorytheater.org.
Come for the sounds, stay for the calorie-free show at PEM'due south "The Slap-up Creature Orchestra" exhibit. / Photo by Luc Boegly
Step within a wild soundscape.
By working with London's lite-and-audio-savvy collective United Visual Artists, American musician and ecologist Bernie Krause was able to transform thousands of recordings of birds and beasts in their natural habitats into a one-of-a-kind immersive art installation. "The Great Animal Orchestra" roars into the Peabody Essex Museum from November 20 through May 22 for the North American premiere of this hypnotic symphony, accompanied by neon-light amplification by stimulated emission of radiation-like spectrograms that dance beyond night walls. Here, some of the most fascinating noises in the testify.
What you lot'll hear: A very loud "click!"
What information technology is: A sperm whale, whose echolocation can produce noises at over 230 decibels—capable of blowing out human being eardrums, if you were close enough.
Where it was recorded: The ocean waters of the
Pacific Rim.
What you'll hear: A deep "grunt!"
What it is: The chacma baboon, one of the largest monkeys in the globe, with sharp, canine teeth that are even longer than a lion'southward.
Where information technology was recorded: The landlocked savannah of Zimbabwe in southern Africa.
What you'll hear: A loftier-pitched "yowl!"
What it is: The chill fox, which is close in size to a fluffy white housecat.
Where it was recorded: The littoral wetlands of the Yukon Delta National Wildlife Refuge in southwestern Alaska.
pem.org.
Experience the globe premiere of an innovative new opera.
A creative fusion of jazz and classical music forms the orchestral foundation of Iphigenia , a way-more-empowered, modern telling of the myth of a sacrificed Greek princess. Two generations of jazz-world multihyphenates, legendary composer Wayne Shorter and millennial genius Esperanza Spalding (who once bested Drake for a All-time New Artist Grammy), built the score and libretto; world-renowned architect Frank Gehry, meanwhile, designed the sets for its debut (November 12 to 13) in Boston.
artsemerson.org.
The Nutcracker returns this vacation season. / Photo by Liza Voll Photography
Welcome the return of a Boston holiday tradition.
Last year, when alive shows were canceled, Boston Ballet'due south The Nutcracker was televised using archival footage. Now the Tchaikovsky-scored Christmastime tradition is back on phase from November 26 through December 26—and while nosotros might have once skipped such a predictably perennial product, we'll never take such enchantment for granted over again.
bostonballet.org.
Source: https://www.bostonmagazine.com/arts-entertainment/2021/08/31/fall-arts-2021/
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